Sunday, September 30, 2012

Suddenly, One Day










SUDDENLY, ONE DAY

EK DIN ACHANAK

India

1989

105 Min
Color
Hindi
  • Currently 4.5/5 Stars.
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PROD N.F.D.C.

SCR Ramapada ChowdhuryMrinal Sen

DP K.K. Mahajan

CAST Shriram LagooShabana AzmiUttara BaokarAparna Sen,Rupa Ganguly

MUSIC Jyotishka Dasgupta


Imagine, one fine day, the man of the house steps out in the evening saying that he would return in some time. He doesn’t tell his wife where he is going but tells her he will return soon. This man never comes back. He is neither reported dead nor there is any information about his location. He simply disappears from the face of this planet. Just thinking about this idea is devastating for someone who has lived in a family.
Mrinal Sen revisits this concept of a person not returning home after addressing it in a previous Bengali film. That film takes place over one night though and the conclusion as well as the ideas that it seeks to evoke are much different from this one. It is hence quite commendable that Sen could use a similar storyline and evoke some deeply affecting ideas by simply changing the missing family member.
After the old man’s disappearance, his family has various recollections and each one draws a certain conclusion about his behavior. The son feels his father was callous and that he didn’t care a hoot about what happened to his family. The younger sister remembers her father as an egotist. The elder sister feels her father tried to hide his ordinariness under a facade of egotism and that he eventually succumbed to it. His wife fears he had an affair with one of his students. These ideas appear to be supported by the memories of the family that we get to see in flashbacks. He seems to have been a person too much involved in his academic pursuits to pay much attention to his family. He has a turbulent relation with his son and feels ashamed that he couldn’t even graduate. His relation with the elder daughter is perhaps the only cordial one in which he happens to share some of his deep thoughts with her. In a telling scene he recounts to her his regret: “Everyone judges a person by how he succeeds in life; There is no value to dedication”. There is another scene where the old man’s student shows him criticism of his article in a journal in which he is accused of plagiarism and dabbling. Even she suggests that perhaps he was a bit careless. The old man gets riled up by the accusations but he has no answer to the critics.
The family members suspect that all these circumstances were behind the old man’s disappearance. In the final scene, after an year has passed since the man’s disappearance, we see each of the family members recounting their feelings about the old man. The wife reveals something he had said the night previous to his disappearance : " The only regret I have is that we live only once".
This film raises some strong questions about the mental tribulations of an intellectual and his desire to be recognized. These questions resonate strongly with me for some reason as I probably have similar doubts as the main character. The fear of being ordinary for an intellectual in this fiercely competitive world is a real one. In this particular case, it results in his literal disappearance from the world but I am sure there are thousands out there who virtually disappear from society by going into their shell. Life remains nothing more than a baggage of regrets in such a case.

Return of the Prodigal Son

















RETURN OF THE PRODIGAL SON

NÁVRAT ZTRACENÉHO SYNA

Czechoslovakia

1967

103 Min
Black and White
1.33:1
Czech
  • Currently 4.3/5 Stars.
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SCR Sergej MachoninEvald Schorm

DP Frantisek Uldrich

CAST Jan KacerJana BrejchováJiří MenzelMilan Morávek,Dana Medrická

ED Jirina Lukesová

PROD DES Bohumil Pokorný

MUSIC Jan Klusák



Return of the Prodigal son is pretty much an archetypal nihilistic film. The protagonist has tried to commit suicide and is now being treated as if he was mentally ill when his problem is nothing but plain nihilism. He is a liberal who seems to have got tired with the phoniness and immorality that seems to come along with it. He hates his wife sleeping around with other men but being a liberal himself, he can’t complain about it. He is sick of being fed and pampered by his in-laws yet he knows he really has nothing to complain. He also shows his frustration with the phoniness of his employers, the homophobia of people with respect to the dancer and other social ills that seem to vex him but he simply cannot complain as he also is a part of that same society. In a telling scene he gets chased by people calling him a murderer until they realize that it was a case of mistaken identity. That scene pretty much encompasses the story of this prodigal son who essentially has no problem other than a growing conscience that seems to push him back to the ways of morality. It’s just that returning proves almost an impossible task unless of-course, life itself were to end.